![]() Smith uses " choice and its absence" as an example of nature's binary form, going on to cite light and dark, ones and zeroes, and himself and Neo. Oddly, it's the Analyst who sums up this difference best in The Matrix Resurrections. ![]() Given the options on the table, these are more threats than choices. The same applies to The Matrix's red and blue pills, which is essentially a choice between cold, harsh reality, or a comfortable lie. ![]() Bugs' crew face getting killed by Machines, or getting punished by their superiors. One option is decidedly worse than the other in both cases, but neither is especially inviting. Thomas Anderson faces accepting his mental breakdown, or accepting the Machine apocalypse actually happened. The Matrix Resurrections also paints The Matrix's illusion of choice as a coercive tool. When Morpheus rescues Neo from an Io holding cell, he gives him the choice between breaking free or staying put, then adds, " But that ain't a choice." During their therapy sessions, the Analyst describes Neo's struggle between mental breakdown and the Matrix being real as " not much of a choice," and Bugs' pilot utters " you call that a choice?" when told to pick between death by squids and an Io court martial. You already know what you have to do." This thematic thread runs throughout the entirety of The Matrix Resurrections. When Jessica Henwick's Bugs offers Yahya Abdul-Mateen's Morpheus/Smith hybrid his own two colored pills, she admits the scenario is entirely symbolic, claiming, " The woman with the pills laughed because I was missing the point. The Matrix Resurrections redefines the meaning of choice, proving the red pill/blue pill, the Architect's doors, and even Neo's sacrifice were all just an illusion of choice. Related: The Matrix 4's Zion Replacement Name Has 3 Hidden Easter Eggs
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